Jesse Stevens

Housed in the basement of Chelsea Market in NYC, Artechouse is a flexible immersive art space, designed with L-Acoustics L-ISA in a 30.1 system. Moving the sounds of Refik Anadol’s “Machine Hallucination” around and through the space to add dimension to the already fully immersive artwork.

Fully immersive L-ISA system installed at the historic 92nd St Y in NYC. L-Acoustics KIVA II, X8, SYVA and others form the 17.1 system, that handles everything from talking heads, to musicals, to cinema.

In celebration of Chris Cornell’s life, The Artist Den recreated Soundgarden’s legendary concert from The Wiltern in LA, in 15.1 L-ISA Immersive sound. On two consecutive nights on each coast, audiences were transported back to the original concert, this time in Immersive Hyperreal Sound.

Sound Designer Cody Spencer deploys L-ISA technology for the first time in a musical setting. The new 70’s inspired funk musical from Joe Iconis came alive in 360 degree immersive design.

One-Night-Only at the Wiltern in LA, Joel Zimmerman AKA deadmau5 presented orchestral, cinematic versions of his compositions, with a 25-piece orchestra. To compliment the groundbreaking work onstage, the concert was presented in 5.1 L-ISA Hyperreal Sound.

Broadway directors Diane Paulus and Warren Carlyle staged an elaborate celebration of New York City at one of the most iconic performance spaces in the world. Meyer Sound LYON and M’elodie formed the voice of a Meyer DMITRI system to bring the sounds of NYC and beyond into the fabled venue.

L-ISA was employed to address the 180 degree immersive 24.1 L-Acoustics system. Loudspeaker design allowed even coverage and perfect localization with the projected video.